The first episode of Austin City Limits‘ 40th season airs this Saturday on your local PBS affiliate. This week, it’s Beck. Check out the TV Schedule page for the other air dates. Here’s a listing of the dates, bands and reviews of the original tapings that I did for the Austin Metblog.
|Artist||Air Date||Taping Date||Taping Review|
|Beck||Saturday, Oct. 4th||Sunday, Apr. 27th||Review|
|Tweedy||Saturday, Oct. 25th||Friday, June 20th||Review|
|Nick Cave||Saturday, Nov. 1st||Monday, July 21st||Review|
There are a bunch of new tapings during the Austin City Limits music festival weekends. Eric Church and Future Islands were last week. Jenny Lewis and Sam Smith are this week. Avett Brothers and Spoon are both doing one next week.
We’ve got a 2002 that we bought used in 2004. We had the transmission replaced while it was still under warranty. I can’t remember if that was at three years or at five years. Fast forward to this Easter and the new transmission is dying. Apparently, they can’t handle the heat and a lot of shops are now installing aftermarket cooling units when they replace the transmission.
And now, I find this article from Yahoo! on the 9 popular used car models that are actually not that reliable. The Honda Odyssey is one of them because of the transmission issue.
I’m somewhere between San Diego and Austin flying back from a business trip. It’s the last day of May. School is about to end for the kids. It’s a time or change and Spring cleaning. We’ve been doing a lot of purging and cleaning around the house. Now it’s time to purge the bits.
I just deactivated my Facebook account and deleted the app off of my phone. I’ve been meaning to do this for months and decided that it was just time to kick myself in the ass and do it. The last straw was the targeted Mother’s Day ad that I got with my mom’s picture embedded in it. I know that’s the sort of thing that they’ve been trending towards, but it wasn’t until it was staring me in the face that I really grasped how much that bothers me. They’re constantly altering the privacy settings in a way that also bugs me.
I’ve also been bothered by the ease of it. It keeps me from really interacting and writing longer posts. I’m checking it too often instead of actually doing something or interacting with family and friends. I’m hoping to see friends follow me to Path or Twitter or just stick with good old email or phone. I’ll miss out on some of the interaction, but the benefits definitely outweigh the drawbacks. So…hope to see you here or elsewhere.
As a part of my post on Sonic Youth’s Austin City Limits taping earlier this month, I mentioned speculation about who will be the final guest at the ACL’s current location in the Communication building on the UT campus.
Well, speculate no more, and though it was a good guess, Corcoran was wrong. Austin City Limits has just announced that the final taping will be November 8th and the guest will be Lyle Lovett.
From the release:
AUSTIN CITY LIMITS is the longest-running music series in American television history. More than 500 episodes featuring more than 800 performers have originated from the modest and unassuming Studio 6A since tapings began in 1974. The AUSTIN CITY LIMITS story is one of unparalleled passion for music, commitment to excellence, and perseverance against many odds. What began as a modest Texas music series has gone on to become the only television series ever to be awarded the prestigious National Medal of the Arts. And it has made so much history in one small room that the Rock and Roll Hall of Fame and Museum declared that it was one of the few rock and roll landmarks worthy of official recognition, an honor that was bestowed upon the show in March 2010.
Lyle Lovetts history with AUSTIN CITY LIMITS runs deep. When he first came to Studio 6A it was as an audience member, and he made his first appearance on the show as a backing singer for Nanci Griffith in 1985. Since then, he has come to know the stage well, appearing on the show no less than 12 times, making him one of the most frequent guests in the shows history.
When it comes to presenting live music, AUSTIN CITY LIMITS embodies its motto of Great Music. No Limits. Accomplishing what no other show has done in the history of American television, the series has, for nearly four decades, presented audiences with the most diverse, original, cutting-edge talent music has to offer. Past performers have included Willie Nelson, Asleep at the Wheel, B.B. King, Roy Orbison, Johnny Cash, Jerry Lee Lewis, Ray Charles, John Fogerty, Robert Plant, Neil Young, The Dixie Chicks, Dolly Parton, Kenny Chesney, Emmylou Harris, Elvis Costello, Van Morrison, R.E.M., Allen Toussaint, Arcade Fire, Patty Griffin, Spoon, Coldplay, Wilco, Norah Jones, The Flaming Lips, The Dave Matthews Band, Jimmy Cliff and many, many more.
The shows next chapter continues in early 2011 with Season 37, originating from its new home at The Moody Theater in downtown Austin. The new studio location will enable more fans to watch future live tapings and provide an enhanced experience for all future shows, while maintaining the intimacy, character and integrity that have been the hallmark of AUSTIN CITY LIMITS for more than three decades.
Since it’ll be pretty much impossible to get in to that taping, they’re offering a simulcast party at Hogg Auditorium as well. A new episode of Austin City Limits with Robert Earl Keen and Hayes Carll airs this Saturday at 7pm on KLRU (or you PBS affiliate).
Season 36 of Austin City Limits kicked off this past Saturday with Jimmy Cliff. The festival that bears its name starts today so that means that there are several tapings this week. I got the chance to check out Sonic Youth last night. Monsters of Folk taped Wednesday night. Band of Horses will tape Saturday night. The National will tape on Monday and the Black Keys will wrap things up on Tuesday.
Sonic Youth is one of , if not THE, elder statesman of alternative/indie/punk rock. I’ve followed them since the late 80s around the time that Steve Shelley joined. I was a big fan of his from the Crucif**ks days. The band has actually been around for over 30 years, According to a trivia contest on their site for the La Zona Rosa show Saturday night, their first show in Austin was 08.27.1985 with Scratch Acid opening. Their most recent album, The Eternal (“Antenna”, “Sacred Trickster”, and “No Way” are stand outs), was released last summer on Matador Records after choosing not to renew on their 16 year major label relationship with Geffen/DGC records. For those of you old enough to remember, Sonic Youth played a role in Nirvana signing with Geffen in the early 90s. The two bands were featured in a documentary on their 1991 European tour that I think is out-of-print now, 1991: The Year Punk Broke. It’s a great documentary if you can track down a copy.
Sonic Youth is one of those bands that I always meant to see live, but never had the chance. They impressively re-create the wall of guitars that marks many of their songs, many of which have two bass guitars. The band is notorious for odd guitar tunings and I noticed that a lot of their guitars have tape along the head stock at each of the tuning pegs, no doubt to help the guitar techs to know how to properly tune the guitar for the songs they’re playing. I’m guessing that means there can’t be a lot of spontaneity in the set list.
William Gibson made a stop at the Arboretum Barnes & Noble last night to promote his new book, Zero History. He read from Chapter 16 of the book and took some questions from the audience, some of which were enlightening. Not sure if he was just using it as an excuse, but he cut it short because the feedback from the sound system that the store provided was annoying him. I was disappointed because I was enjoying his answers. Someone asked him about a recent short story and why he didn’t do more of them. He answered that there’s no money in them these days and that he feels like he’s got a limited number of ideas and any that turn into short stories take away from the pool that he can use for novels. He also discussed his admiration for Inception. During the signing, the guy in front of me had him sign his electronic copy of Zero History on an iPad. That was a first, but fitting, I suppose, for the author who is credited with coining the term “cyberspace”. You can follow him on twitter @GreatDismal. He’s pretty active when he’s not busy writing. Zero History is the third book in a series. The first two were Pattern Recognition and Spook Country. I’d recommend starting with Pattern Recognition. I’ve really enjoyed the first two and am looking forward to reading the third.
As I mentioned, John Legend and The Roots taped a performance for Austin City Limits last night. It will air locally on KLRU on Saturday, November 20, 2010. They’re promoting their new album, Wake Up, which will be released on September 21st. It’s a mix of mostly 70s soul covers and a few originals. They had performed the night before in Las Vegas for the Miss Universe pageant.
Austin City Limits is moving to its new location downtown at the beginning of next year, so there will probably only be a handful of performances at Studio 6A before the move. Bob Schneider tapes a set tonight and I’m assuming there will be a few tapings with the ACL Festival coming up at the beginning of October. There were the usual ACL taping amusements last night: people spilling the free beer (the only time I’ll drink Ziegenbock because it’s at least a little better than Budweiser – pro tip: always get two on the way in, it’s too hard to go back and get more) and watching people narrowly miss getting bonked in the head with the boom camera. The most adept at avoiding the camera is the official ACL photographer, Scott Newton, who just released a book collecting 35 years of photos from the show on UT Press.
Black Thought, who was present at the GMA Central Park performance that I linked in my preview post, wasn’t there for last night’s taping. They played pretty much straight through the set without too much talking in between songs and obviously the rap portions of the songs were dropped with the absence of Black Thought. “Captain” Kirk Douglas had a blistering guitar solo at the end of the Bill Withers cover “I Can’t Write Left Handed” and ?uestlove got pretty animated by the end of that song, definitely the best one of the set. I’ve heard “Hard Times” twice now and it’s been stuck in my head all morning.
I first heard about The Roots living in NYC in 1995. I picked up their first major label album Do You Want More?!!!??! and couldn’t stop listening to it. I completely wore out “You Got Me” from their third album, Things Fall Apart. Their latest album, How I Got Over, was just released in June.
I pretend to be a drummer on occasion and had always admired ?uestlove (aka Ahmir Thompson), drummer for The Roots, but developed a serious man crush after seeing him at a live show during SXSW in 2006 for Before the Music Dies. I didn’t know about his bandleading skills until that performance, something that would become much more evident when The Roots began their stint as the house band for Jimmy Fallon’s takeover of Late Night from Conan O’Brien (the only redeeming aspect of that change, in my opinion).
?uestlove also does guest DJ stints displaying his encyclopedic knowledge of music and will do one tonight immediately following the Austin City Limits taping at Red 7 at 9pm. It’s $8 in advance (try End of An Ear records) and $10 at the door and probably will sell out.
Tonight’s Austin City Limits taping will be with John Legend. Their collaboration, Wake Up, will be released on September 21st. I caught one song at a Central Park performance on Good Morning America a couple of weeks ago. The collaboration is inspired by the presidential election campaign of 2008 and is a mix of covers and originals. VH1 has a bunch of behind the scenes videos promoting the album. I’ll post a review of the taping tomorrow.
Here are the air dates for Season 36 of Austin City Limits which airs locally on KLRU on Saturday nights at 7pm:
October 2, 2010 Jimmy Cliff
October 9, 2010 Spoon
October 16, 2010 Patty Griffin & Friends
October 23, 2010 Alejandro Escovedo / Trombone Shorty
October 30, 2010 Robert Earl Keen / Hayes Carll
November 6, 2010 Steve Martin / Sarah Jarosz
November 13, 2010 Rosanne Cash / Brandi Carlile
November 20, 2010 John Legend & The Roots
Unless you’ve been under a rock for the last four months, you’ve heard that UT announced it would be closing the Cactus Cafe at the end of the summer. It appears that public outcry has caused them to reconsider that decision. As far as I can tell, the two proposals gaining interest now are either that it be run by the students or by KUT. They continue to take feedback until May 7.
I’ve apparently been under a rock because I didn’t realize until yesterday morning that Bob Mould was in town for a two night stand at the aforementioned Cactus Cafe. I quickly checked with The Wife and that tickets were still available and got myself down there for the second night. I’ve only been to the Cactus a couple of times, but I had not doubt that it’d be a great intimate venue for Bob’s solo show and given the uncertain future, it may be my last chance to see the Cactus in its familiar glory.